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on (1980s–1990s) Transition to Installations and Large-Scale Works In the 1980s, Knoebel’s practice expanded beyond traditional painting. He began creating large-scale installations, often involving shaped

Japanese, the equivalent term "裁判官" (saibankan) defines the judicial role clearly, but the verb form "判断する" (handan suru) captures the broader conceptual use of "judge." This indicates that the unexpected meanin